Only 2 Days Left To Get Your Early Bird Tickets…

Today I’ve enlisted an owl to help with my publicity campaign by saying “Twit-Twooo”… That’s right, because there are only twooooo days left to get cheap tickets for my upcoming concert, and you’ll surely feel a twit if you don’t take advantage of this superb offer!

Head over to Eventbrite to book now with the ‘early bird’ discount – leave it any longer and you run the risk of become a ‘late bird’! Which, come to think of it, is probably a more fitting description for an owl, considering their nocturnal nature. What a confusing world we live in, eh?
 
Concert poster: 'Miniatures' 12 exquisite newa piano solos by local composer Michael A. Grant Performed by Jack Mitchell Smith Featuring commentary from the composer Friday 13th October 8:00 pm Emmanuel Church 6 Barlow Moor Road, Didsbury, M20 6TR £7.50, or £5 if booked before 1/10 To learn more and book tickets, visit miniaturesconcert.eventbrite.co.uk With text '2 Days Left' superimposed in red.
 

3 Days Left To Be An Early Bird!

If I seem to be filled with an all-consuming sense of urgency, that’s because there are now only 3 days remaining to pick up your cheap £5 tickets for my tremendous concert! It will feature a full twelve pieces of original music, so by my maths that’s less than 42p per piece – what an unmissable bargain.
 
Concert poster: 'Miniatures' 12 exquisite newa piano solos by local composer Michael A. Grant Performed by Jack Mitchell Smith Featuring commentary from the composer Friday 13th October 8:00 pm Emmanuel Church 6 Barlow Moor Road, Didsbury, M20 6TR £7.50, or £5 if booked before 1/10 To learn more and book tickets, visit miniaturesconcert.eventbrite.co.uk With text '3 Days Left' superimposed in red.
 

5 Days Left To Be An Early Bird!

Only 5 days remaining for you to book your tickets at the super-special early bird discount price of £5! After that it will cost you a full £7.50, and I guarantee you will feel oh so bitter for missing out on the greatest bargain of your life so far.
 
Concert poster: 'Miniatures' 12 exquisite new piano solos by local composer Michael A. Grant Performed by Jack Mitchell Smith Featuring commentary from the composer Friday 13th October 8:00 pm Emmanuel Church 6 Barlow Moor Road, Didsbury, M20 6TR £7.50, or £5 if booked before 1/10 To learn more and book tickets, visit miniaturesconcert.eventbrite.co.uk
With text '5 Days Left' superimposed in red.
 

New Music Monday, #39: ‘Springs’

Every Monday throughout 2023 I will be highlighting a different piece of music that I have either written or been closely involved with. And this week, prepare to bounce up and down with a regular motion because it’s…


What’s it called?
Springs.

What’s it from?
‘Miniatures’, my 2023 album of classical piano compositions.

What’s it all about?
I’d say this is a particularly joyful piece, full of optimism and hope, with a real bounce in its step that comes from the repeated offbeat accompanying figure in the left hand. When trying to come up with a title, I wanted something that reflected this positivity, and one phrase that came to mind was the Alexander Pope quote “Hope springs eternal from the human breast.” I soon realised that simply taking the one word from that sentence (‘springs’) would also open up a couple of additional relevant meanings:
 

  • Springs as in the bouncy things – to relate to the lively bounce permeating the piece.
  • Springs as in the season – where everything comes back to life and fills with hope after the dark days of winter.

And that’s where that came from.

Listen out for…
The middle section shifts into a more lyrical and poignant mood, culminating in what I consider a rather beautiful cadence at 1:50. Note that this part also makes use of the piano’s ‘soft’ pedal, which causes only one string to sound for each note played (when normally every note would be played on three strings at once). This gives a more muted and gentle effect.

Find out more at…
www.michaelgrantmusician.com/miniatures

New Music Monday, #38: ‘Banana Juice?’

Every Monday throughout 2023 I will be highlighting a different piece of music that I have either written or been closely involved with. And this week, prepare to dwell on the relative appropriateness of various fruit-based drinks because it’s…


What’s it called?
Banana Juice?

What’s it from?
This is the second – and arguably least pleasant – single from the most absurd band you’ve never heard of, ‘The Atwood Project’. This ‘band’ is essentially an excuse for me and my regular collaborator Mister James Ure to let our hair down and be as relentlessly peculiar as we want, by taking a title suggestion from an innocent member of the public and using it as inspiration for a surreal comedic musical dreamscape.

What’s it all about?
Um, well, it’s difficult to say with any certainty. Let’s just agree that we took the title and came up with a series of different ridiculous vignettes based on the common theme. Particularly worthy of note, however, is the way that we deliberately structured the song like an episode of a sitcom (for some reason). So it consists of:
 

  • 0:00 Continuity announcer.
  • 0:10 Theme song.
  • 1:05 ‘Sting’ to separate scenes.
  • 1:10 Part 1 of the sitcom (with jokes and canned laughter). This is left on a cliffhanger, with a joke set-up but no punchline.
  • 3:10 Sting.
  • 3:15 Advert break (mainly designed to confuse any listeners on Spotify Premium).
  • 3:41 Sting.
  • 3:46 Part 2, picking up from the cliffhanger where it left off.
  • 5:21 Sting.
  • 5:26 End credits theme song.
  • 6:07 Weird coda that goes into ‘Danny Boy’. Why? Nobody knows. Nobody knows…

Listen out for…
There are quite a lot of weird details to pick up on, but here are a few:
 

  • The pseudo bass drum sound in the theme tune (0:10) is actually a recording of my living room door slamming.
  • Like all the best songs, there’s a cheeky reference to ‘Stranger on the Shore’ by Acker Bilk (4:57 in the stylophone).
  • As with all Atwood Project songs, the ‘Whoa whoa whoa whoa’ backing vocals from ‘If Only Your Legs Were On Your Head’ make a sneaky appearance at 2:12.
  • The spelling of ‘Banana Juice’ at 2:47 is incorrect both times.
  • From 4:15 the beeping of a metronome can be heard, merely to emphasise how out of time the actual recording is.

And so much more! Seriously, the more you listen the more absurd detail you hear.

Find out more at…
Watch the music video! This is actually based on the video for ‘Vibraslap Song’ (youtu.be/QtmCOATWDXI) and took significantly more effort to produce than you might think. Still not a lot of effort, but it’s surprisingly difficult to make something look that bad!
 

New Music Monday, #37: ‘Breaking Outwards’

Every Monday throughout 2023 I will be highlighting a different piece of music that I have either written or been closely involved with. And this week, prepare to move on to new and better things because it’s…


What’s it called?
Breaking Outwards.

What’s it from?
‘Miniatures’, my 2023 album of classical piano compositions.

What’s it all about?
This is actually the last of the 12 ‘Miniatures’ that I wrote, and even though it isn’t meant to represent anything specific I think it does somehow have a sense of looking forwards into the future. The harmony, for instance, starts off very simple but becomes increasingly dissonant and angst-y, as if the music is trying to break free from its shackles and go somewhere entirely new (especially in the middle section from 3:00 to 4:25). This is coupled, however, with a prounounced reflective character in the main theme – as though it is wistfully looking back on what has gone before while simultaneously trying to push onwards.

Listen out for…
I am especially fond of the secondary melody that plays from 2:07-3:10. I would quite like to try orchestrating this piece at some point, and can imagine this tune sounding really beautiful and haunting on violins and violas.

Find out more at…
www.michaelgrantmusician.com/miniatures

Posters, Posters, Posters Galore!

Something strange is going on in the suburbs of South Manchester. Almost overnight, it seems a plague of mysterious posters has started appearing in all sorts of unexpected locations. Noticeboards, cafes, car windows, telephone boxes, supermarkets… They came from nowhere and yet suddenly they are everywhere. Where did they appear from? Who sent them? And most importantly, WHAT DO THEY WANT!?!

Four concert posters for 'Miniatures' performance, in assorted locations.
All very big questions, but one thing’s for certain: It looks like there’s going to be a great concert taking place on Friday 13th October!
 

New Music Monday, #36: ‘Side by Side and Hand in Hand’

Every Monday throughout 2023 I will be highlighting a different piece of music that I have either written or been closely involved with. And this week, prepare to patch up old relationships because it’s…


What’s it called?
Side by Side and Hand in Hand.

What’s it from?
My 2019 ragtime musical ‘It’s Not Really the Apocalypse’, which tells the story of four old friends who wake up one morning to discover they are the only people remaining on planet Earth.

What’s it all about?
Lizzie and Gary may have had their differences in the past, but things have gotten out of hand now that Gary has abandoned the rest of the group and gone to live his isolated life in the wilderness. So in a bid at reconciliation, Lizzie goes out to find him and sing him this delightful song as she attempts to bring him back into the fold.

Listen out for…
Lizzie’s repeated use of the word ‘metaphorically’. It doesn’t come across in the audio recording of course, but this is meant to be a response to Gary trying to take her hand at various points when he misinterprets her words as amorous advances.

Find out more at…
www.michaelgrantmusician.com/inrta