It’s back, and it’s bigger than ever!
But enough about my student debt – I’m really here to talk about this week’s Transcription Tuesday But On A Wednesday, which takes the form of a live performance by Lester Young of ‘A Foggy Day’ by everyone’s favourite Gershwins: The Gershwins.
It’s not a foggy day where I am. It’s more of an overcasty day. Yesteryday was a thundery and lightningy day. Hopefully tomorrow will be a sunny-y day.
Any-y-way-y…
Something About Buckwheat
I hate to be the bearer of bad news, but it is my sad duty to report that the latest song from The Atwood Project has now been released. ‘Something About Buckwheat’ is our longest and least enjoyable track yet, but if you are in the mood for some self-inflicted pain then check out the official music video here:
By the way, we recommend that you follow along with the following Wikipedia article as you listen, which might make the trial more endurable: https://en.wikipedia.org/wiki/Buckwheat
Transcription Tuesday But On A Wednesday (But On A Thursday): ‘Clarinet Cadenza’, Sid Phillips
For this week’s transcription, I thought I would have a go at another piece of music with ‘clarinet’ in the title, because that’s always a sure hallmark of quality. The tune in question is Clarinet Cadenza, which was written by Sid Phillips and performed regularly by him as his (strangely downbeat) opening song. Another thing I’ve learned this week is that Sid Phillips is also the full name of the villain in Toy Story. Who knew?
Have a look and a listen via the links below:
Welsh Musical Theatre Orchestra ‘Live’ Stream
This is merely a blog post of no great length, intended to inform the general population about a concert recording that is being broadcast on YouTube this Friday at 7:00 pm.
The concert in question is ‘Direct from the West End’, as performed by the Welsh Musical Theatre Orchestra in 2018, and if you look carefully you’ll discover that it features the one and only ME on clarimanet, and alto and tenor saxomophones. It also showcases a significant number of my orchestrations, including:
Defying Gravity, For Good and Popular from Wicked
Easy to Love, It’s De-Lovely and You’re the Top from Anything Goes
Half a Sixpence from Half a Sixpence
Little Shop of Horrors, Somewhere That’s Green and Suddenly Seymour from Little Shop of Horrors
Memory from Cats
Oh False One You Have Deceived Me, Oh Is There Not One Maiden Breast and Poor Wandering One from The Pirates of Penzance
Here’s the trailer:
And here is where it will appear when the time is right:
https://youtu.be/Dobf8boIoEM
What’s not to love?
Transcription Tuesday But On A Wednesday: ‘On the Sunny Side of the Street’, Benny Goodman
This week on TTBOAW, I present to you a mildly disappointing rendition of ‘On the Sunny Side of the Street’, as performed by Benny Goodman and friends as part of a fundraising concert for arranger extraordinaire Fletcher Henderson. Disappointing in terms of quantity, that is, for our fine ten-fingered friend only solos for half a chorus (in addition to the initial full chorus). Oh well.
Fun fact: Like all the world’s greatest arrangers, Fletcher Henderson was a chemistry graduate.
Listen from 09:40 to hear it:
Freshly Hand-Picked Organic Videos
It’s been a veritable hive of activity at MAG Labs recently, and there is no time like the present for sharing the juicy fruits of such labours. I hope you’ve got your video-watching spectacles on, because you’ll need them for the following selection of sweet delights…
A few weeks ago I was engaged by a fellow called George to do a bit of remote recording for a ragtime piece he’s written, which shares its title with this section of the blog post. Said recordings have now all been assembled, and the result is available to watch on The YouTube. Listen out for yours truly on piccolo and clarionet, and I hope you enjoy watching my dashing silhouettes at the bottom of the screen.
Just because I’m confined to my special underground research bunker, with nothing to befriend me except my collection of redundant television controls, doesn’t mean I can’t play some smokin’ hot trad. jazz! Here is an offering from Bolton’s premier Dixieland jazz band The Dixie Beats, featuring the first in my series of rotating clarinet solos. By the way, no pasties were forthcoming from this particular project but if the situation changes I will keep you updated.
My final video for today comes from the Welsh Musical Theatre Orchestra, playing a medley of four songs with varying degrees of relevance to musicals. I am proud to say that this is actually one of my orchestrations, which I assembled for our most recent concert in November (although I didn’t choose the songs to include). I’m in there playing clarimanet and saxomophone, and indulging in yet more rotational fun.
That’s all for today, but stay tuned to the only blog worth reading (i.e. this one, just to remove any ambiguity) for news of the premiere performance from The Dunleavy and Dimplesauce Showtime Orchestra, the latest in a series of disturbing singles from The Atwood Project, and my Trio for clarrie, chello and pyannoh, which is finally complete. Here’s a teaser to send you on your way:
Transcription Tuesday But On A Wednesday (But On A Thursday): ‘Dinah’, Benny Goodman
Benny Benny Goodman we love you.
And, with Benny Benny Goodman
Benny Benny Goodman what we’ll do.
All set with a clarinet, oh what a happy time we’ll spend.
Goodman Benny Benny Goodman, our fine ten-fingered friend.
Goodman Benny Benny Goodman, our fine ten-fingered friend.
Anyway…
Transcription Tuesday But On A Wednesday: ‘Sweet Sue, Just You’, Benny Goodman
Now here’s a song that I’ve played once or twice in the past, as anyone who’s been stalking me in recent years will already be aware! But today it’s not me playing it – oh no it’s not. I get a guest musician every week. And this week it’s… Benny Goodman!
Here he is playing ‘Sweet Sue, Just You’ in 1936 with his quartet. What a delight. : D
On Sugar, Plums, and Rotating Bass Clarinets
Happy Star Wars Day everybody! Assuming you read this on the same day that I am writing it, which I suppose in the grand scheme of things is unlikely. But I hope you appreciate the sentiment nonetheless.
To mark the occasion, I would like to share a brand new Christmassy video that I’ve assembled this week. It’s a project I’ve been wanting to do for a while, and which consists of Tchaikovsky’s Dance of the Sugar Plum Fairy arranged for bass clarinet quartet (with additional piccolo playing the original famous clarinet solos). My green-screening was a bit more successful this time than it was with the Bassoon Quartet Holberg Suite (it turns out that the wall adjacent to my window is much better lit for such purposes than the wall opposite it), and so buoyed up by this success I confess I got a little carried away with the editing. I hope you don’t mind.
Speaking of the Bassoon Quartet Holberg Suite, I can happily announce that, as of this morning, the sheet music for those arrangements is available to purchase from my website! Hurrah! And it’s only £1 per movement. What else can you get these days for £1 per movement? I’ll tell you: not a lot. So if you happen to be a bassoonist with three like-minded clones, this should be right up your alleyway: https://www.michaelgrantmusician.com/product/holberg-suite-by-edvard-grieg-bassoon-quartet/
Guess what? I’m in a jazz band. It’s called The Jelly Roll Jazz Band, and if you don’t know about it already then you really haven’t been paying attention. Anyhoo, we did a small-scale gig the other week which we live-streamed via The Instagram. But of more relevance to you is the fact that we also recorded it, and the entire hour-long video is currently available to watch on The YouTube. But you’d better be quick, because it’s going to self-destruct this Friday 8th May! The moral: grab your trad. jazz while you can.
https://youtu.be/UybMAaCt1jE
Good news: my account on Fiverr.com, which I only created a few weeks ago, has already more than paid for itself! To be fair, it didn’t cost anything to set up, so it wasn’t really that hard. But my point is, I’ve had a gig! This involved a bit of remote recording, adding piccolo and clarinet parts to a pastiche ragtime piece called ‘The Main Street Stride’ by composer extraordinaire George Streicher. I haven’t yet seen the completed masterpiece, but as soon as it’s available I will send it your way.
As always, I have a fair few projects gradually working their way through the pipeline. So to keep you hooked on my already highly addictive blog, here is a little run-down of things you can look forward to in the near future:
- The recording for my album of 12 piano miniatures is well and truly underway. I can’t tell you how long it’ll be before it’s ready – I’ve basically sent the sheet music off to a pianoman and told him I don’t really mind how long it takes to record. But the point is, it’s on the way!
- I’ve been hard at work writing a trio for clarionet, violoncello and pianoforte, which is nearing completion. I’m going to enter it into a competition that might win me £3000, which would be nice, but if not then at least I’ll have made something arty.
- Over the past few days I’ve assembled an arrangement of one of Kermit the Frog’s greatest hits, ‘Rainbow Connection’, which I will be recording over the next week or two with my colleague and arch enemy James Fridge of James Fridge and the Ure Doors. It’s written for 2 flutes, 2 clarinets, 2 bassoons, 2 alto saxophones, tenor saxophone, baritone saxophone, 2 trumpets, 2 trombones, tuba, and banjolele. It’s been nice having the space to ‘stretch out’ a bit, in arranging for a large ensemble. So look out for that!
- For a while now I’ve thought it would make for a good show-off video to record myself playing all four of the notoriously difficult clarinet parts to mvmt. 1 of Ravel’s ‘Daphnis and Chloé Suite No. 2’, and I’ve recently made a start on that project. I’ve been working on the bass clarinet part first of all, this morning recording a reasonable take of it. I think I’ll now work my way up the section, meaning my next mission is to tackle the 2nd A clarinet part. Wish me luck!
I think that’s more than enough Michael A. Grant for now. While we’re on the subject of Daphnis and Chloé, I’ll leave you with a video from 2015 of Durham University Symphony Orchestra playing the 2nd Suite, and see if you recognise any of the clarinettists!
Toodle-pip.
P.S. I’ve just realised that I shared that same video not that long ago. But if a thing’s worth sharing once, it’s worth sharing again, right?
Transcription Tuesday But On A Wednesday: ‘Wild Man Blues’, Johnny Dodds
It has come to my attention that the world in general was left bereft last week as they were deprived of their regular dose of transcriptionies. To make it up to everyone, I have done… absolutely nothing. I would apologise for that, but I choose not to.
The good news is that, this week, TTBOAW returns in style with a rendition of Wild Man Blues from the tradder’s tradder, Mister Johnny Dodds. Fun fact: this year, this particular recording celebrates its 82nd birthday. Hooray.